Sergei Eisenstein, 1944

One of the finest examples of intellectual montage, consisting of more than 3,200 shots in its 103 minutes, OCTOBER 1917 has been described as a Originally conceived as a historical epic in three parts, Sergei Eisenstein's epic biography of Czar Ivan IV, the murderous 16th-century unifier of the Russian people, was truncated by the director's death in 1948, as he was about to begin part three. A spectacle of impressively baroque splendor, it remains one of the great anomalies of film history. Starring Nikolai Cherkassov as the eponymous ruler, the film opens with the 16-year-old's opulent coronation in 1546. He breaks with the custom of marriage to a foreign princess by marrying a Russian girl, Anastasia Romanovna (Lyudmila Tselikovskaya), thereby offending the nobility. In an effort to expand his territory eastward, he leads an army of 100,000 to seize Kazan, succeeding only after a long and bitter campaign. After contracting a seemingly fatal illness, Ivan summons the boyars, led by his aunt Euphrosinia (Serafima Birman), but they refuse his demand to swear allegiance to his one-year-old son, greatly angering the czar. When Ivan miraculously returns to health, he begins to consolidate power in opposition to the boyars. While Cherkassov gives a commanding performance, it's the film's unique visual quality, featuring spectacularly ornate set design and costumes, along with a performance style influenced by Russian classism, grand opera, and Kabuki theater, that makes it such a rewarding experience.

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Sergei Eisenstein's saga of Czar Ivan IV continues with the struggle for power and the use of secret police, a controversial segment that caused the film to be banned by Stalin in 1946 (the film was not released until 1958). The predominantly black-and-white film features a banquet dance sequence in colour. Obviously the two parts must be viewed as a whole to be fully appreciated. Many film historians consider this period in Eisenstein's career less interesting than his silent period because of a sentimental return to archaic forms (characteristic of Soviet society in the 1930s and '40s). Perhaps it was just part of his maturity.

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SPECIAL FEATURES
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• 4:3 Full Frame
• Russian
• Region 2
• Mono Russian
• Mono
• Interactive Menus
• English
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